While a majority of couples wish to have extended massive orgasm (EMO), not everybody comes down to experiencing these repeated orgasmic waves.
Lovers experiencing one of these massive orgasms have reported enjoying more of life's joys in general, becoming nicer and more generous in their relationship.
An EMO can last minutes or hours, offering up blissful sensations at increasing intensities, reports Fox News.
And here are the tricks of this tantalising trade:
1. Truly recognise your pleasure
You want to immediately approve of your present sensations. This starts before you even get in the sack by overcoming anxieties you have about sex. This may require identifying limitations you've been taught about sex, like how you're supposed to respond (or not respond). You need to then challenge any social conditioning that impedes upon your response.
Ridding yourself of the uninvited 'others' in your bed will enable you to solely focus on the orgasmic sensations, including ones that come from simply anticipating action.
2. Learn to relax
Lovers have the tendency to tense up during sexual excitement, which is not conducive to extended orgasm. You need to be able to surrender your nervous system during genital stimulation. It's this letting go of tension that allows you to embrace your pleasure.
3. Get in the know
The more we know about our bodies, sex, and sexual response, the better we can recognise sensations, the more we can lose ourselves in them. Become knowledgeable about sexual response, sexual anatomy and erotic techniques.
4. Give yourselves time for pleasuring
Lovers may stimulate each other by fantasising out loud, taking your time getting to the genitals and hot spots. Teasing allows for greater energy awareness and arousal, and these are what make the experience ultimately so mind-blowing.
5. Touch for pleasure
You can show your partner that you are into the moment by informing them about what you are going to do so he or she can surrender more easily. Highlighting a lover's physical responses further enables them to tune into the sensations.
6. Learn to channel your energy
You want to get out of your head, directing your energy to your groin. This will make for more explosive results, plus help you to further tune into your sexual response.
7. Become an effective communicator
To amplify things up, you may need to request changes that will intensify your pleasure if you're the receiver. As the giver, you may need to ask for feedback or direction. In either case, asking for more will help you to feel more. Giving approval can do wonders for a lover's ego.
8. Develop your pelvic floor muscles
Exercising your pubbococcygeus (PC) muscle will put you more in tune with your sexual response. It's also what makes for more powerful orgasms.
9. Have plenty of lubricant handy
As you will be loving for the long-haul, make sure you avoid the friction, pain, and discomfort that can result from working each other raw by using lube.
10. Do away with any drive-thru mentality
Having an EMO isn't like going for fast food. One can't go into it thinking instant gratification. Instead, approach it as though training for a sport.
Lovers experiencing one of these massive orgasms have reported enjoying more of life's joys in general, becoming nicer and more generous in their relationship.
An EMO can last minutes or hours, offering up blissful sensations at increasing intensities, reports Fox News.
And here are the tricks of this tantalising trade:
1. Truly recognise your pleasure
You want to immediately approve of your present sensations. This starts before you even get in the sack by overcoming anxieties you have about sex. This may require identifying limitations you've been taught about sex, like how you're supposed to respond (or not respond). You need to then challenge any social conditioning that impedes upon your response.
Ridding yourself of the uninvited 'others' in your bed will enable you to solely focus on the orgasmic sensations, including ones that come from simply anticipating action.
2. Learn to relax
Lovers have the tendency to tense up during sexual excitement, which is not conducive to extended orgasm. You need to be able to surrender your nervous system during genital stimulation. It's this letting go of tension that allows you to embrace your pleasure.
3. Get in the know
The more we know about our bodies, sex, and sexual response, the better we can recognise sensations, the more we can lose ourselves in them. Become knowledgeable about sexual response, sexual anatomy and erotic techniques.
4. Give yourselves time for pleasuring
Lovers may stimulate each other by fantasising out loud, taking your time getting to the genitals and hot spots. Teasing allows for greater energy awareness and arousal, and these are what make the experience ultimately so mind-blowing.
5. Touch for pleasure
You can show your partner that you are into the moment by informing them about what you are going to do so he or she can surrender more easily. Highlighting a lover's physical responses further enables them to tune into the sensations.
6. Learn to channel your energy
You want to get out of your head, directing your energy to your groin. This will make for more explosive results, plus help you to further tune into your sexual response.
7. Become an effective communicator
To amplify things up, you may need to request changes that will intensify your pleasure if you're the receiver. As the giver, you may need to ask for feedback or direction. In either case, asking for more will help you to feel more. Giving approval can do wonders for a lover's ego.
8. Develop your pelvic floor muscles
Exercising your pubbococcygeus (PC) muscle will put you more in tune with your sexual response. It's also what makes for more powerful orgasms.
9. Have plenty of lubricant handy
As you will be loving for the long-haul, make sure you avoid the friction, pain, and discomfort that can result from working each other raw by using lube.
10. Do away with any drive-thru mentality
Having an EMO isn't like going for fast food. One can't go into it thinking instant gratification. Instead, approach it as though training for a sport.
The SI swimsuit model transforms from impossibly lovely to inaccessibly exquisite as we write part of a Stephen King story on her naked body — and offers some tricks for looking sexy in photos along the way.
As she speaks, there are certain words that charmingly betray her, words that remind you she's not from Connecticut or Orange County. Those words are hand, comfortable, magical, and cleavage, which sound like haynd, cumftabul, majkle, and clivvage.
Judging by the frequency with which they're invoked, these are some of her favorite words. And the way her slight Israeli accent affects them only highlights her California-girl face. Bar Refaeli — twenty-four, Sports Illustrated swimsuit-issue cover model, de facto Israeli ambassador to the world, living canvas (see cover) — is a fascinating hybrid. But somehow a perfectly natural one. She is sitting on a bench on a veranda outside a photo studio along the Hudson River in New York City.
She's wearing a baggy plaid shirt, black tights. Her hair is in a ponytail. And as she speaks, the wind off the river carries away the smoke from her cigarette. She talks about Israeli women: "It's the mentality. Israel is so small, and we struggle just to stay alive. Israeli girls are a little more — I'm not comparing — but we're very confident. We like to have fun. We're very free. It shows in our character, and it goes in the camera."
Her ambitions: "Heidi Klum. I really like what she's doing. It's what I picture myself as."
Having part of a Stephen King story written on her body for the Esquire cover: "I haven't seen anything like that ever. So I wanted to be the girl who did it."
The smoke blowing in my face: "Is this bothering you?"
She also talks about how to look sexy in photos, which, as it turns out, involves three key tricks.
Trick one: "The palm of the hand — you need to make it long, your fingers long." She makes a claw shape with her fingers, then languidly unfurls them. (Note: This trick works well.)
Trick two: "Always make your feet point." She extends her leg like a ballerina so her foot is part of a single, graceful line. (Note: This trick works well.)
Trick three: "Your collarbone... how do I say it? Let me show it. Pop it up, pop it out. It's all in the definition of the bones." She pulls the placket of her shirt back, along with a tank top and a bra strap, to reveal the top of her breast and the length of her right clavicle. She flexes her chest so the bone is instantly more defined. (Note: This trick works extremely well.)
She is wearing no makeup. She has lots of freckles. She smiles a lot. In this light, natural light, waiting to begin her work, Bar Refaeli is impossibly lovely.
She walks back inside, goes behind a screen, and she takes off her clothes, puts on a robe, and gets her face and hair done.
As she sits in the chair, she begins to look more tan than she did before. Shinier. Smoother. The freckles, the single most defining characteristic of her face, are gone. (Her childhood on the Israeli coast was literally sunny: "I walked along dirt roads and picked oranges and played with dogs and rabbits and chickens and horses.") She looks... perfect. She looks sad. A little lonely.
She's become hot.
She takes off the robe and walks over to a platform so she can have a passage from a Stephen King short story applied to her body by a short-story-body-application professional. She is wearing white bikini bottoms and a red bikini top, which is pulled up, revealing the bottom third of her breasts. The skin there is white. She reads a novel in Hebrew. She doesn't talk.
She doesn't move. Without her clothes on, she looks 10 percent larger. She is thin, of course, and her stomach is impossibly taut. But she has grown somehow. Maybe it's the clivvage.
She's become inaccessibly exquisite.
She walks over to a corner of the room where the photographer is set up and lies down on the floor with inked-up torso and arms, one of them precisely positioned over — but not covering — her breasts, her hair fanned out behind her. There is a camera mounted on a rack above her. There are about fifteen people hovering around, and she scowls like a criminal. She looks like a live photograph. She looks like she wants to kill you.
She's become gorgeous.
Breaking character, she says, "I want to see," and she lifts her head up and glances over at a monitor to review the photos that were just taken. She becomes the southern-California girl from central Israel again. And she smiles. She's no longer covering her breasts in an artful way; she's holding them because she doesn't want fifteen people to see them.
She looks the way a warm girl looks.
She looks beautiful.
The Cover Artist
For this month's cover, we asked graphic designer James Victore (that's his hand, above) to transcribe parts of Stephen King's short story "Morality" on the lovely Bar Refaeli. He spoke with us just before getting started.
ESQ: What's the medium?
JV: Shoe polish.
ESQ: Really?
JV: No, no. It's what body painters use, but body painting is kind of boring. We're trying to give it some energy.
ESQ: Did you map this out?
JV: To a certain degree, but it might change, and we have to be cool with that.
ESQ: What about practicing?
JV: I have an exquisite wife, and I practice on her. Also, we worked with three different models. Everyone is different. The
flesh is different, the curves are different.
ESQ: And how does Refaeli compare?
JV: She's a perfect canvas because her skin is so flawless. It's going to be amazing.
The Cover Proofreader
Articles editor Ross McCammon, who wrote about Refaeli, was also tasked with checking her for spelling errors.
"I had to read her three times because the first read was a wash — I felt disoriented, I wasn't used to the medium, I was rapt by King's wordsmithing. So the real work began on the second and third passes. As I scanned each line, reading the words out loud, checking for trouble spots (afterward, not afterwards, for instance), Refaeli slowly — but all too perceptibly — moved her body according to whatever I needed to get a good look at. Which was distracting, but I thank her for it."
Judging by the frequency with which they're invoked, these are some of her favorite words. And the way her slight Israeli accent affects them only highlights her California-girl face. Bar Refaeli — twenty-four, Sports Illustrated swimsuit-issue cover model, de facto Israeli ambassador to the world, living canvas (see cover) — is a fascinating hybrid. But somehow a perfectly natural one. She is sitting on a bench on a veranda outside a photo studio along the Hudson River in New York City.
She's wearing a baggy plaid shirt, black tights. Her hair is in a ponytail. And as she speaks, the wind off the river carries away the smoke from her cigarette. She talks about Israeli women: "It's the mentality. Israel is so small, and we struggle just to stay alive. Israeli girls are a little more — I'm not comparing — but we're very confident. We like to have fun. We're very free. It shows in our character, and it goes in the camera."
Her ambitions: "Heidi Klum. I really like what she's doing. It's what I picture myself as."
Having part of a Stephen King story written on her body for the Esquire cover: "I haven't seen anything like that ever. So I wanted to be the girl who did it."
The smoke blowing in my face: "Is this bothering you?"
She also talks about how to look sexy in photos, which, as it turns out, involves three key tricks.
Trick one: "The palm of the hand — you need to make it long, your fingers long." She makes a claw shape with her fingers, then languidly unfurls them. (Note: This trick works well.)
Trick two: "Always make your feet point." She extends her leg like a ballerina so her foot is part of a single, graceful line. (Note: This trick works well.)
Trick three: "Your collarbone... how do I say it? Let me show it. Pop it up, pop it out. It's all in the definition of the bones." She pulls the placket of her shirt back, along with a tank top and a bra strap, to reveal the top of her breast and the length of her right clavicle. She flexes her chest so the bone is instantly more defined. (Note: This trick works extremely well.)
She is wearing no makeup. She has lots of freckles. She smiles a lot. In this light, natural light, waiting to begin her work, Bar Refaeli is impossibly lovely.
She walks back inside, goes behind a screen, and she takes off her clothes, puts on a robe, and gets her face and hair done.
As she sits in the chair, she begins to look more tan than she did before. Shinier. Smoother. The freckles, the single most defining characteristic of her face, are gone. (Her childhood on the Israeli coast was literally sunny: "I walked along dirt roads and picked oranges and played with dogs and rabbits and chickens and horses.") She looks... perfect. She looks sad. A little lonely.
She's become hot.
She takes off the robe and walks over to a platform so she can have a passage from a Stephen King short story applied to her body by a short-story-body-application professional. She is wearing white bikini bottoms and a red bikini top, which is pulled up, revealing the bottom third of her breasts. The skin there is white. She reads a novel in Hebrew. She doesn't talk.
She doesn't move. Without her clothes on, she looks 10 percent larger. She is thin, of course, and her stomach is impossibly taut. But she has grown somehow. Maybe it's the clivvage.
She's become inaccessibly exquisite.
She walks over to a corner of the room where the photographer is set up and lies down on the floor with inked-up torso and arms, one of them precisely positioned over — but not covering — her breasts, her hair fanned out behind her. There is a camera mounted on a rack above her. There are about fifteen people hovering around, and she scowls like a criminal. She looks like a live photograph. She looks like she wants to kill you.
She's become gorgeous.
Breaking character, she says, "I want to see," and she lifts her head up and glances over at a monitor to review the photos that were just taken. She becomes the southern-California girl from central Israel again. And she smiles. She's no longer covering her breasts in an artful way; she's holding them because she doesn't want fifteen people to see them.
She looks the way a warm girl looks.
She looks beautiful.
The Cover Artist
For this month's cover, we asked graphic designer James Victore (that's his hand, above) to transcribe parts of Stephen King's short story "Morality" on the lovely Bar Refaeli. He spoke with us just before getting started.
ESQ: What's the medium?
JV: Shoe polish.
ESQ: Really?
JV: No, no. It's what body painters use, but body painting is kind of boring. We're trying to give it some energy.
ESQ: Did you map this out?
JV: To a certain degree, but it might change, and we have to be cool with that.
ESQ: What about practicing?
JV: I have an exquisite wife, and I practice on her. Also, we worked with three different models. Everyone is different. The
flesh is different, the curves are different.
ESQ: And how does Refaeli compare?
JV: She's a perfect canvas because her skin is so flawless. It's going to be amazing.
The Cover Proofreader
Articles editor Ross McCammon, who wrote about Refaeli, was also tasked with checking her for spelling errors.
"I had to read her three times because the first read was a wash — I felt disoriented, I wasn't used to the medium, I was rapt by King's wordsmithing. So the real work began on the second and third passes. As I scanned each line, reading the words out loud, checking for trouble spots (afterward, not afterwards, for instance), Refaeli slowly — but all too perceptibly — moved her body according to whatever I needed to get a good look at. Which was distracting, but I thank her for it."
Minissha started her journey in Bollywood with a small-budget film called Yahaan. Her subsequent releases, Anthony Kaun Hai and Shaurya did not do much for her. Had it not been for Sanjay Gadhvi's Kidnap and Yash Raj's Bachna Ae Haseeno, the promising actress would have been lost in B-grade flicks.
Kidnap and Bachna upped her sex quotient, even as her sultry bikini-look wowed and surprised herself and others.
In her own words, "People started seeing me in a different light. I associate change with growth. And I have no qualms about being known as a sex symbol. In fact, I loved it.
Kidnap and Bachna upped her sex quotient, even as her sultry bikini-look wowed and surprised herself and others.
In her own words, "People started seeing me in a different light. I associate change with growth. And I have no qualms about being known as a sex symbol. In fact, I loved it.
Now, this saree-to-bikini babe is all set to reverse the trend, already.
"In Shyam Benegal's Well Done Abba, I will be going from bikini to burkha." Minissha is playing Boman Irani's daughter in the film.
For a girl who admits to have grown up reading Mills and Boon, it is surprising to find that she is a traditionalist and would never make the first move. "Even if I had a strong crush on someone I would never make the first move. The guy would have to make two, three, four first moves," she giggles.
"I believe the guy needs to do the chasing, make the moves, set things up, etc. In that way I am conservative and a
traditionalist. I would like a guy to do things to surprise me, whisk me away. He has to be inventive. The usual candlelight dinner on the beach is a bit too staid for me. It could anything from planning a trip, like diving together, to introducing me to something new, to opening me up to a new experience. If I were to give suggestions for the date, it would be going for a movie, heading to a coffee shop after that, staying out all night, then heading to the beach at 5 am to watch the sunrise and getting into the water when no one else is around.
"In Shyam Benegal's Well Done Abba, I will be going from bikini to burkha." Minissha is playing Boman Irani's daughter in the film.
For a girl who admits to have grown up reading Mills and Boon, it is surprising to find that she is a traditionalist and would never make the first move. "Even if I had a strong crush on someone I would never make the first move. The guy would have to make two, three, four first moves," she giggles.
"I believe the guy needs to do the chasing, make the moves, set things up, etc. In that way I am conservative and a
traditionalist. I would like a guy to do things to surprise me, whisk me away. He has to be inventive. The usual candlelight dinner on the beach is a bit too staid for me. It could anything from planning a trip, like diving together, to introducing me to something new, to opening me up to a new experience. If I were to give suggestions for the date, it would be going for a movie, heading to a coffee shop after that, staying out all night, then heading to the beach at 5 am to watch the sunrise and getting into the water when no one else is around.
A great conversation turns me on completely. I love to meet men who can engage me like that. Then, I am wired. It is the best high for me. Else, I tune out very easily in a social environment.
And what kind of men are a complete no-no in her life?
"Men who show-off, brag and are not real."
"I was such an avid consumer of Mills and Boon that I even wrote three chapters of my own version once. However, now I have outgrown chick flicks and rom-com's. I need a nice emotional drama to keep me engaged. I also love watching period films, war films, spy thrillers, dramas and regular thrillers.
I love to do things that give me an adrenaline rush, like bungee jumping. I also learnt kite surfing recently. It took me 10 days to learn to manoeuver a kite. It is quite dangerous. But it was great fun.
And what kind of men are a complete no-no in her life?
"Men who show-off, brag and are not real."
"I was such an avid consumer of Mills and Boon that I even wrote three chapters of my own version once. However, now I have outgrown chick flicks and rom-com's. I need a nice emotional drama to keep me engaged. I also love watching period films, war films, spy thrillers, dramas and regular thrillers.
I love to do things that give me an adrenaline rush, like bungee jumping. I also learnt kite surfing recently. It took me 10 days to learn to manoeuver a kite. It is quite dangerous. But it was great fun.
Jet-powered Flatmobile: the flattest car in the worldThis crazy, crazy "Flatmobile" is going to enter the Guinness books as the flattest vehicle ever. How flat is it? Nineteen inches. This Batmobile-like contraption is extremely dangerous—creator Perry Watkins shoved a gas turbine jet engine on the butt. It's also supposedly street legal, but we wouldn't want to be in it during a rollover.
Colim: the detachable caravan
Colim, a new vehicle designed by Christian Susana, is a great blend of a car and a caravan camper. The front part of this unique looking automobile can be detached, if you are not going camping with your family, and used as a two-seater car. Colim might not be the best looking vehicle, but it is quite useful given the flexibility it offers.
World's Longest Limousine
World's Longest Limousine
This fancy limousine is actually the longest limousine in the world. Total length is 100 feet (more than 30 meters). It has 26 tires, room for a lot of passengers, a heated Jacuzzi, sun deck, swimming pool, a few beds and… a helipad!
Dream Car 123: the pyramid electric car
Dream Car 123: the pyramid electric car
What weighs 8,000 pounds, turns on a dime, and looks like an Egyptian pyramid? The Dream Car 123! It may look like a pyramid, but it's outfitted like a tank and lights up in neon colors at night. The best part is that it runs on electricity. 3.5 hour charge will take the Dream Car 240 miles at up to 40 mph. Inventor Greg Zanis has also designed a tower garage that harvests solar and wind power to recharge the vehicle.
Peel 50: World's Smallest Car
Peel 50: World's Smallest Car
The three-wheeled micro car boasts the record for the smallest ever automobile to go into production. It has certainly got itself into a tight squeeze, but the world's tinniest car has every right to be there. Tucked in between two vans in London's Piccadilly Circus, the Peel 50 is legally allowed to take to British roads.
LEGO F1: Ferrari Race Car
With about 12k-20k invested and 80,000 LEGO pieces later, the biggest and most lifelike LEGO F1 car was created. This Ferrari F1, based on the F2008, is 1:1 scale, which is apparently drivable was presented in Holland, more specifically in Amsterdam, at the annual ‘Lego World' event held there. We would love to have one.LEGO F1: Ferrari Race Car
Evolution: Super Eco friendly car
Different from convenient eco-friendly car, this concept car from Loremo AG, a German car corporation, is not a based on hybrid but on its weight: about 450kg, achieving a stunning 157mpg. The speed will go up to 160km/h on a 2 cylinder turbo-diesel engine. Another surprising part is that comes with a front wing door rather than having two side doors for the drivers to enter the vehicle.
Mattrack Truck: the skiing car
Mattrack Truck: the skiing car
This is a standard truck where the wheels have been replaced by mattrack belts. The company -Mattrack- can apparently do this to any kind of 4×4 vehicle – from ATVs to 20 ton trucks. The short belts allow the Mattrack Truck to drive almost anywhere unless the snow gets too deep. If the snow gets to deep, longer belts are required (like on the Piston Bully). The short belts also make Mattrack Truck able to cross small creavasses, while larger creavasses require longer belts.
Peugeot Capsule: an escape pod car
Peugeot Capsule: an escape pod car
Escape pods are nothing new to our collective consciousness. Hollywood writers have used this concept to save presidents from crashing planes to landing R2-D2 and C-3PO on Tatooine. Now designer Alp Germaner has dreamt up an escape pod that may not take you off planet but will certainly take you off road like never before. The “Peugeot Capsule” is a one person, off-road, electric vehicle inspired by the KLR 650 motorcycle. Complete with integrated GPS, LCD screens that double as rear-view mirrors, full time internet connectivity (for jungle porn of course) and comes with enough luggage space to make a weekend of it. Master Chief not included.
Eclectic: world's first energy-autonomous vehicle?
Eclectic: world's first energy-autonomous vehicle?
Claiming its creation is the world's first "energy-autonomous" vehicle, Venturi equipped this nerdy car, called Eclectic with a solar panel and a wind turbine so it can get power from the elements. It also has a plug for recharging from an outlet, as the panel and turbine combined give you only something like 14 miles a day. But electric power still beats gas. You are able to buy an Eclectic for about $31,500, according to a Venturi press release.
Business magazine Forbes magazine has released it's international list of this year's top-earning models. Which sexy ladies have the deepest pockets? Find out right here! 'The world's top earning model' is based on estimated earnings of models from June 2008 to June 2009. Four Brazilian models have found a place in the rankings. "(The) modelling industry has been hard-hit by the economic crisis, but the value of the beauties at the top is as strong as ever," the magazine noted.
1. Gisele Bundchen
Brazilian beauty Bundchen has topped the list of top-earning models. At 28, she has earnings to the tune of USD 25 million from numerous campaigns, including those for brands like Versace, True Religion jeans and Dior.2. Miss Moneybags: Heidi Klum
Bundchen is followed by 35-year-old Heidi Klum of Germany, with an estimated earning of USD 16 million. The majority of Klum's earnings are driven by her TV and endorsement career. The model has endorsement deals with Diet Coke, Volkswagen, McDonald's and LG, the report said.
Bundchen is followed by 35-year-old Heidi Klum of Germany, with an estimated earning of USD 16 million. The majority of Klum's earnings are driven by her TV and endorsement career. The model has endorsement deals with Diet Coke, Volkswagen, McDonald's and LG, the report said.
3. Rolling in greenbacks: Kate Moss
Thirty five-year-old icon Kate Moss placed on the third spot with an earning of USD 8.5 million.
Thirty five-year-old icon Kate Moss placed on the third spot with an earning of USD 8.5 million.
4. Moolah-maker Adriana Lima
Another Brazilian model Adriana Lima has earned USD eight million in the last year and made it to Forbes' list at Number Four.
Another Brazilian model Adriana Lima has earned USD eight million in the last year and made it to Forbes' list at Number Four.
5. Doutzen Kroes makes her way up
At the fifth position is Dutch looker Doutzen Kroes, the face of cosmetic company L'Oreal, and she raked in USD six million.
At the fifth position is Dutch looker Doutzen Kroes, the face of cosmetic company L'Oreal, and she raked in USD six million.
6. Sharing fifth place: Alessandra Ambrosio
Twenty eight-year-old Alessandra Ambrosio of Brazil is also ranked fifth alongside Kroes, with her earnings tallying at around USD 6 million.
Twenty eight-year-old Alessandra Ambrosio of Brazil is also ranked fifth alongside Kroes, with her earnings tallying at around USD 6 million.
7. From rags to riches: Natalia Vodianova
With two models at Number Five, we jump to Number Seven -- Natalia Vodianova, raised in an impoverished family in Russia has cornered the seventh place with earnings to the tune of USD 5.5million.
With two models at Number Five, we jump to Number Seven -- Natalia Vodianova, raised in an impoverished family in Russia has cornered the seventh place with earnings to the tune of USD 5.5million.
8. Wealthy Werbowy
Polish-born Daria Werbowy, with an annual earning of USD 4.5 million, is the eighth model on the list.
Polish-born Daria Werbowy, with an annual earning of USD 4.5 million, is the eighth model on the list.
9. Miranda Kerr lands ninth position
Actor Orlando Bloom's girlfriend Miranda Kerr ranked ninth, with an estimated income of USD 3 million.
Actor Orlando Bloom's girlfriend Miranda Kerr ranked ninth, with an estimated income of USD 3 million.
10. Counting herself in: Carolyn Murphy
A little way behind Kerr is American stunner Carolyn Murphy, also with an estimated earning of USD 3 million.
A little way behind Kerr is American stunner Carolyn Murphy, also with an estimated earning of USD 3 million.